Transamerica Pyramid under construction May 1, 1972
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With structures presently going up supplanting the dominance, in theory, of the Transameria Pyramid, I thought it a good time to pause and reflect on the City's original iconic skyscraper that has reigned for over forty years, and share the story about our archive content on its construction. We will add more images to this page as we scan from the approximate 1,000 original 2 1/4" square negatives in our collection. This archive consists of the professional still photography,
documenting the site development and construction, then CEO Becket signing
the "first beam" as it was put in position, the gradual rise of the Tower, the demolition of the structures and retail stores on the site that preceded the skyscraper to its completion in 1972, and shots inside its tip.
"The Lost Negatives" • Saving the Film from Oblivion ____________________________________________________________
Most of this content has never been seen before, in fact it was nearly lost. We saved it from certain doom, which would have been silver reclamation to be specific. This was the time when the Hunt Brothers were trying to corner silver, trading about $50 an ounce. About
the time I was producing the cover for
Huey Lewis and News' epic album SPORTS in 1984, I attended an auction and purchased a massive collection of
hundreds of thousands of original negatives, transparencies and
prints when a local photo studio closed its doors, an entire career left for the highest bidder. I say
'rescued', because my opposing bidder had only the plan to chemically
dissolve the film to sell its inherent value converted into silver. 'Melting your film and prints down for its silver is a fate worse than death for a photographer's life work and images. This I was intent to thwart and I won the highest offer for the lots involved.
After making this purchase, we moved about twenty loaded 4-drawer file cabinets
and 300 linear feet of shelving jam packed with content, filling nearly a
half semi-truck of film and prints to our studios on what was then
called Army Street, the 'Old Sears' building. We proceeded to gradually
shift through box and box of material, tossing the obvious
worthless, yet gradually hidden treasure was revealed, most notably, the
original negatives of the construction of the pyramid. Saved! *
(*PS shout out to Bob and Connie Trupp for their part in this herculean process)
This process, culling the collection, is still going on today, with tens of thousands of images not yet reviewed, and likely it will never be completed. Nonetheless, an important part of San Francisco history was saved.
Flickr Gallery on the Transamerica Pryamid
Construction Process
Construction began on the 3,478-windowed structure in 1969 and finished in 1972, overseen by San
Francisco-based contractor Dinwiddie Construction (now Hathaway
Dinwiddie Construction Company). The building's foundation is 9 feet (2.7 m) thick, the result of a 3
day, 24-hour continuous concrete pour. The four-story base contains 16,000 cu yd (12,000 m
3) of
concrete and over 300 miles (480 km) of steel
rebar. The building's façade is covered in crushed white
quartz, giving the building its light color, which undergoes a “brightening” about every 10 years, involving about 18,000 work hours.
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Hand-tinting © Bennett Hall
Construction Progress from a standard position overlooking project
July 30, 1971 • May 1, 1972 • November 15, 1972
Building the Pyramid
The
Pyramid, which has no public access unfortunately other than its lobby,
created considerable controversy in the day, yet it surprised everyone
and eventually became a beloved symbol for the City, even a key
component of Herb Caen's immortal logo. The 48-story Pyramid has
reigned as the tallest building in San Francisco since its construction,
third highest California. The Transamerica building was commissioned
by Transamerica CEO
John (Jack) R. Beckett,
who made the claim that the design intent was that he wished to allow
light into the street below versus the impact a conventional building
may have upon the street experience. It was designed by architect William Pereira,
(check out this article on his work)
Transamerica Pyramid under construction - June 29, 1971
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Originally
designed to be 1,150 feet tall, the building was lowered to
853 feet due to protests against changing the City skyline dramatically,
it was sometimes referred to by detractors as "Pereira's Prick". The
proposal was rejected by the city planning commission, saying it would
interfere with views of
San Francisco Bay from
Nob Hill. However, its slender, pyramidal configuration does in fact allow more light to reach the
street than a conventional, box-like building design and it ultimately succeed as a City icon.
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Inspecting the-steel near the top of the TransAmerica Pryamid, San Francisco 1972
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"Several thousand dollars in
quarters and change were thrown
into the pit by observers surrounding
the site at street level during the pouring, for good luck."
Ever wondered what it looks like INSIDE the San Francisco Transamerica Pyramid uppermost tip?
This is shot from inside of the tip of the Transamerica Pyramid as construction was being completed of the shell in 1972.
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A Little Vertigo anyone?
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Transamerica under construction from Montgomery and Clay Street • June 29, 1971
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The
diagonal trusses and horizontal X-bracing at the base of the pyramid, along with the shape of
the building distribute the shear force of the quake and reduce the
moment impact of the wave.
Learn
more about the seismic engineering including the base horizontal X-bracing
crtical to keeping this building safe in the event of a major temblor
(thanks for sharing this)
Transamerica Building from Montgomery Street, Telegraph Hill • 10-15-1971
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Did you know that only two of the building's
18 elevators reach the top floor?
Transamerica Building and other buildings under construction, I know this plaza but cannot recall excatly where this was shot from - If you recognize it - please let me know!
location TBD January 1972
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Inside the tip of the Transamerica Pyramid, 1972
A glass pyramid cap sits at the top and encloses red
aircraft warning light and the brighter seasonal beacon. This 6,000-watt beacon was envisioned by the architect as the building’s “crown jewel”.
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Tip in the fog, by Bennett Hall
Reference on the Pyramid
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